Research

Research is one of the key focus areas of Satyajit Ray Film and Television Institute beside its regular post graduate courses in film making, electronic and digital media. In this endeavour, every Year SRFTI awards fellowships for a six month ‘Independent Fellowships Programme’ to young researchers and practitioners, actively engaged in reflecting on contemporary culture, spaces, politics in Indian cinema, electronic and digital media — as well as on the histories, practices, the public domain and media forms.

Publication of the annual peer reviewed research journal ‘SRFTI Take One’ is another step towards institutionalizing the pedagogy of research in film and digital media. The journal is an ensemble of articles capturing technology, aesthetics, movement, history as well as the contemporary practices in the cinema and digital media.

Independent Research Fellowship Programme


Research is one of the key focus areas of Satyajit Ray Film and Television Institute beside its regular post graduate courses in film making, electronic and digital media. In this endeavour, every Year SRFTI awards fellowships for a six month ‘Independent Fellowships Programme’ to young researchers and practitioners, actively engaged in reflecting on contemporary culture, spaces, politics in Indian cinema, electronic and digital media — as well as on the histories, practices, the public domain and media forms.

Publication of the annual peer reviewed research journal ‘SRFTI Take One’ is another step towards institutionalizing the pedagogy of research in film and digital media. The journal is an ensemble of articles capturing technology, aesthetics, movement, history as well as the contemporary practices in the cinema and digital media.

Previous Fellowship Programmes

Year
Title of the Project
Research Fellow
Status

2017

Redefining Cinephilia: Alternate Film Collectives and Screening Practices in A Digital Age and Neoliberal Milieu

Dwaipayan Banerjee

Completed

2017

The Ghungru Tells- Metamorphosis of Kathak, It’s Purity, Improvisation and Commercialization in Bollywoo

Indrani Das Sharma

Completed

2017

Sonified Cinema

Bhudhaditya Chattopadhyay

Completed

2018

Visions of a Market: A Case for Drishyam Films

Trinankur Banerjee

Completed

2018

Recent Trends of Using Digital Media in India

Kaustab Chakraborty

Completed

2018

Cinema in Future

Ganeswara Mohapatra

Completed

2019

Feminist Film Practice and Shaping the Feminist Political Subject in The Indian Documentary

Kasturi Basu

Completed

2019

Reading Anglo-Indian History in Non-fiction Cinema: A Study of Select Documentary Films

Shyamasri Maji

Completed

2019

A Critical Study of Bollywood’s Assimilation of the Underground Hip Hop Aesthetic

Elloit Cardozo

Completed

2020

Speculative Middleman: Distribution Practices in Malayalam Cinema of the 1970s and 80s.

Jenson Joseph

Completed

2020

Changing Portrayal of Muslim Woman in Indian Cinema Representative Case Studies

Nandita Banerjee

Completed

2020

Cinema of Jharkhand.

Anuj Kumar

Completed

2022

OTT Platforms and Telugu Film Industry – A Labour Perspective

Ms. C. Yamini Krishna

Completed

2022

Understanding The Place Of Protest Through Spatial Criticism

Ms. Mamta Mantri

Completed

2022

Disappearing Single Screens and the Exhibition of “Adult” Films in West Bengal.

Mr. Sandip Chatterjee

Completed

Seminars

National Seminar Vol. 1

Date & Venue : 20.09.2014 at Satyajit Ray Film & Television Institute, Kolkata
Speakers:
Recreating Climax in Post Production
Shyamal Karmakar, Prof & HOD, S.R.F.T.I.

‘Bad Climaxes: The Ineffective Arc’
A.F. Mathew, Associate Professor, IIM, Kunnamangalam

Climax in Documentary
Nishtha Jain, Filmmaker

How to End a Film: Reflections on Narrative Closure in Indian Film Socials
Subhajit Chatterjee, Assistant Professor, Jadavpur University

Moderator:
Ashoke Viswanathan, Filmmaker

National Seminar Vol. II

Title: Ideological Journeys; Cinema Of Mrinal Sen
Date: 31.01.2015
Venue: Satyajit Ray Film & Television Institute, Kolkata
Part I (11 am – 1 pm)
Speakers & Papers:
Mrinal Sen – A Comradely Shoulder For Loners And Underdogs To Lean On
Vidyarthy Chatterjee, Film Scholar

‘Crow Films’: Mrinal Sen and the Structural Transformations of Bengali Cinema (1965-1975)
Maharghya Chakraborty, PhD Scholar, CSSS, Calcutta

Rise And Fall Of New Wave In India
Samik Bandopadhyay, Film Scholar

Moderator: Biren Das Sharma

Pather Panchali 60

Day 1( 19.12.2015 )
Title: The evolution of the story of ‘Pather Panchali’; how it mirrors the social reality of the time
Speakers:
Swapan Chakravorty, former Director of the National Library,
Supriya Chowdhury, distinguished Professor of English Literature,
Samik Bandyapadhyay, noted art critic
Anindyo Sengupta, Assistant Professor of Film Studies at Jadavpur University
Subrata Mukhopadhyay, author and academy award winner.
Moderator:
Amaresh Chakraburtty, Professor and HOD, Direction and screenplay writing, SRFTI.

Day 2 (20.12.2015)
Title: The influence of Pather Panchali on contemporary cinema and its relevance
Speakers:
Kamaleshwar Mukherjee, Filmmaker
Sourav Sarangi, Filmmaker
Shaji Karun, Filmmaker
Sekhar Das, Filmmaker
Shanker Raman, Director- cinematographer
Suresh Jindal, Producer

Moderator: Ashoke Viswanathan. Filmmaker

Spectrum Satyajit 1

Date: 07.05.2016
Title: Film making process of Ray; perspective from technicians
Speakers:
Shri Ramesh Sen
Shri Subrato Lahiri
Shri Anil Ghosh

Moderator: Shri Sujoy Shome

Spectrum Satyajit 2

Date: 30.05.2016
Title: Satyajit Ray’s Inner Eye as Cover designer and illustrator
Speakers:
Shri Pronabesh Maiti
Shri Debashis Deb
Shri Debraj Goswami
Moderator: Shri Sujoy Shome

Conclave

Date: 22.3.16 – 24.3.16
Title: Emerging Paradigms in Film Pedagogy
Papers & Speakers:
An outsider’s view on Film Pedagogy
Prof. Partha Ghoshe

Teaching Film Theory & Aesthetics
Prof. Amaresh Chakraburtty

Future technology in Cinema
Prof. Saikat S Roy

National Seminar Vol. III

Date: 11.11.2017
Venue: New CRT, SRFTI

Title: Cinema In The Age Of New Media

Key Note Address: Sri. Dhritiman Chatterjee, Actor

Session1: Challenges For Today’s Television

Papers and Speakers:
An analysis of current trends in research on effect of television viewing on children
Dr. Debojyoti Chandra
Winter is here for the traditional television
Sri Debapriya Bhattacharya
Television and Religion – Remapping the Indian scene
Dr. Soumik Chatterjee
Television and Women – Problem faced by today’s Indian Television
Dr. Anindita Chattopadhyay

Moderator: Sri Abhijit Dasgupta

Session2: New Horizon In The Post Modern Scenario Of Film Making

Papers and Speakers:
Influence of post modernism in Sergio Rubini’s ‘Soul Mate (2011); An Enquiry
Dr. Pallab Mukhopadhyay
Mobile phone as the new tool of film making in the age of social media
Dr. Amarta Saha

Moderator: Sri Ashoke Viswanathan

Session3: Creativity And New Media

Papers and Speakers:
The visual maze – How Youtube infuss hybridization of identities and binary propositions in individuals
Dr. Sujata Mukhopadhyay
Drones in News Media; A Case Study of Drone Technology in The Indian Media Landscape Sri Arkaprava Chattopadhyay
MOOC: A creative challenge to the online teacher
Ms. Subha Das Moulik

Moderator: Dr. Tapati Basu

National Seminar Vol. IV

Date: 01.12.2018
Venue: New CRT, SRFTI

Title: Producing for Film, Electronic and Digital Media

Key Note Address: Sri. Rahul Rawail, Filmmaker

Session1: Producing for Electronic and Digital Media

Papers and Speakers:
The puzzle of increasing TRPs and camouflaged popular culture; Marketing violence and to children in modern day tele-serials
Dr. Sujata Mukhopadhyay , Asst. Prof. Hiralal Memorial College for Woman

Soap Opera: Producers responsibility towards society
Sri. Samik Mitra, Research Fellow, Viswa Bharati
Challenges and threats facing by Indian Television Industry; A sampling survey on shift of audience in Indian society
Dr. Soumee Roychowdhury, Asst. Prof. George Telegraph College
Moderator: Sri Abhijit Dasgupta, Dean (TV), SRFTI

Session2: Producing for Cinema
Papers and Speakers:

Contribution of “Rajshri Productions” in producing Hindi Films – A Journey
Dr. Pallav Mukhopadhyay, Asst. Prof. W B State University
From Screening to sreaming; A study on Netflix effect and rapid paradigm shift in movie viewing experience

Dr. Trinanjans Das, Asst. Prof. Amity Univ. Kolkata
Envisioning India through Corporate Presentation

Sri. Ashim S Paul, Asst. Prof. SRFTI

Moderator: Sri Ashoke Viswanathan, Dean (Film) SRFTI

National Seminar Vol. V

Title: Cinema in the Margins; Dalit Identity, Women Portrayed and The Elderly depicted.
Date: 27.09.2019
Venue: preview Theatre, SRFTI
Speakers:
Prof Anil Zankar
Prof (Dr) Ira Bhaskar
Prof Manash Ghosh
Ms Anindita Sarbadhikary
Prof Ashoke Viswanathan
Prof Oindrila Hazra

National Seminar Vol. VI

Title: Gender and Media
Date: 07.12.2019
Venue:New CRT, SRFTI

Key Note Address: Prof. Shohini Ghosh, Professor on Sajjad Zaheer Chair, AJK Mass Communication Research Centre Jamia Millia Islamia, Central University, New Delhi

Papers & Speakers:

Portrayal of Courtesans in Hindi Cinema between 1960-1990: A Perspective
Nandita Banerjee

Fearless Nadia: Modernity and feminity in the early Bombay cinema
Satyendra Kumar

Main Putt Jatt Da: Manda Ni Haar: Masculinity, Class and Caste in Punjabi Music
Prashastika Sharma

The cinematic configuration of gendered space in New Iranian Cinema
Apeksha Priyadarshini

The Challenges of Volatile Nationalism and Patriarchy for ‘Half Widowed Gazala’ and ‘Hysterical Arshia’ : A Study of the Cinematic Projection of the Fragmentary Lives of Kashmiri Women in the Film Haider
Kirti Sachdeva

Parodying the Popular: The Gender Politics of Web Shorts in India
Hemantika Singh

Gender-biased Internet Trolling in Malayalam Film Industry
Kunju Lekshmi

Gender Fluidity in Cinema and Other Media
Deepika Matange and Shruti Parthasarthy

Feminine Perspectives in New American Horror- An analysis of Hereditary and Midsommar
Soumik Hazra and Abhinaba Bhattacharya

Walking Around: Women Navigating Cinematic Spaces
Sanghamitra Deb

How Not to Do Gender in Cinema
Prof. Niladari Chatterjee

Ghatak and Gender
Prof. Sushmita Banerji